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Review Archive

Starfire: A Red Peace – Spencer Ellsworth

A confession, reader, before starting this book review: when browsing Audible’s list of books for review, I saw a familiar name in the Narrator column, and chose this book before looking at the title or genre. Starfire: A Red Peace is jointly narrated by Mary Robinette Kowal and John Keating; long-time readers of this blog will recognize Mary as an author whose work I admire and someone who I’ve had the pleasure of meeting and learning from, on that cruise as well as subsequent online classes. I knew that she was an audiobook narrator, but hadn’t heard her work, so I jumped at the opportunity to listen to the first novel in Spencer Ellworth’s Starfire trilogy. Before I dig into the book and narration, I want to thank Audible for providing this book for review, and flag for you, listener, that they’re running a promotion until May 4th, 2018 that

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A Closed and Common Orbit – Becky Chambers

While I haven’t read The Long Way to a Small Angry Planet, the first book in Becky Chambers’s Wayfarers series, I found A Closed and Common Orbit, last year’s Hugo-nominated sequel to that volume, a deeply enjoyable and approachable read. The characters are rich and honest, the universe is extensive and fascinating, and the writing is excellent. At the core of A Closed and Common Orbit is one question, explored from several angles: what is personhood? Whether the AI learning the limitations of a single body, an escaped genetically engineered slave finding out about the world outside her prison, a ship AI exploring motherhood, or an alien shifting between genders with fluidity, each character arc deals with the question of personhood. (Personhood as opposed to humanity is something particularly interesting to explore, given our own proximity to artificial intelligence and our somewhat limited understanding of consciousness.) There isn’t an adventure

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Forest of Memory – Mary Robinette Kowal

I’m steadily working my way up to total fanboy status regarding Mary Robinette Kowal’s work. As I’ve mentioned several times on the blog, her insight, perspective, and wit are one of the great draws of Writing Excuses, and her work that I’ve read (Shades of Milk and Honey, The Lady Astronaut of Mars, and her contribution to the Shadows Beneath anthology) I have absolutely loved. I have her most recent novel, Ghost Talkers, on my to-read list, as well as Word Puppets, a collection of her shorts, but the book that drew me first was Forest of Memory, a novella published by Tor.com. The cover art, by Victo Ngai, of a surreal forest with an etherial buck jumping away from the viewer, captured my attention wholly. Paired with the title, the image piqued my interest, and I wanted to know how the seemingly disparate images would connect to each other.

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Miniatures: The Very Short Fiction of John Scalzi

John Scalzi is a somewhat enormous figure in genre fiction, having published some 20+ novels, eight non-fiction books, and a generous handful of short fiction and essays. Not only that, but his role as “influencer” is further cemented by the popularity of his “Whatever” blog and his more-than 110,000 followers on Twitter. But we’re not here to talk about Scalzi’s reach as an author, prodigious though it may be. We’re here to talk about the audiobook of Miniatures: The Very Short Fiction of John Scalzi I listened to, courtesy of Audible. The eighteen stories in Miniatures are, as the title suggests, very short. In the introduction, Scalzi says that the longest piece in the collection is only 2,300 words long. The audiobook for the collection is teeny-tiny, clocking in at just under three hours. The stories are funny, and all hover around the central of subverting “conventional” science fiction tropes

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Missing Link – Frank Herbert

When I read Frank Herbert’s Dune as a teenager, it was a revelatory experience. Dune is widely considered to be a crowning achievement in science fiction, and I’ve heard it called “The Lord of the Rings of SF.” I’m aware that it’s polarizing as a book, and that the series as a whole isn’t as well-loved as I’d initially thought, but none of that changes my relationship with those books. I remember days in high school where I’d float from class to class, not listening to a word any of my teachers were saying, because I was so immersed in the political dealings of the Atreides and Harkonnen, in the zealous fury of the Fremen, and of the extraordinary universe they occupied. Dune hit me like blast to the chest, and changed the way I read. And even if I hadn’t read anything else by Frank Herbert until somewhat recently

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Author Interview: Matthew Isaac Sobin

Warbler’s Note: I’m thrilled to bring you the words of Matt Sobin, author of a beautiful novelette called THE LAST MACHINE IN THE SOLAR SYSTEM. If this interview intrigues you enough to want the book—and it should—let me know in the comments below and you will be entered to win one of two copies of the book!  I repeat: leave a comment below the post for a chance to win a copy of this book! Q:  Much of THE LAST MACHINE, stylistically, is highly poetic. As I understand it, your background is in poetry. Is this your first long-form piece? How did your work as a poet influence the way you approached this story? A: I love this question. Since the story is told from Jonathan’s perspective, perhaps I’ve created the first robot poet? That’s kind of cool to think about. I thought that an android with knowledge of all

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Binti: Home – Nnedi Okorafor

There seems to be no better day than today, International Women’s Day, to talk about an extraordinary piece of science fiction written by the brilliant Nnedi Okorafor, about belonging and identity from the perspective of a powerful young woman. You might recall that Binti was one of my two favorite works of science fiction of last year. It was evocative. Beautiful. Frightening. Most importantly, it was different. It managed to pack an incredible and vibrant world, a complex and compelling protagonist, and a spectacular plot into a fairly short piece of fiction. It told a story that could have easily fallen into the category of sci-fi tropes, but it avoided them by applying a unique voice and perspective through Binti, it’s main character. Binti: Home finds Binti after about a year at Oomza University. A year after she heroically (and accidentally, if I recall correctly) brokered peace between two warring

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Snapshot – Brandon Sanderson

I’m not sure about other writers in the world, but it seems to me unique that Brandon Sanderson considers writing a new novella to be a break from, well, writing. Granted, he did write Snapshot as a break from working on Oathbringer, the third volume in his mega-epic Stormlight Archive series, but, like, I mean…he wrote a novella as a breather from a bigger project. Maybe I’m crazy, though. All I know is that I hope to display such fortitude toward the craft in the future, once I strengthen those muscles a bit. On his blog, Sanderson said that Snapshot was a story idea that wouldn’t leave him alone; something he had to write furiously over the course of a week. I can see why the idea stuck in is mind. The premise of Snapshot is cool—Cool enough that MGM is already optioning the story—and though it is expansive in

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Inish Carraig – Jo Zebedee

Inish Carraig is a book that was robbed of placement on the shortlist for last year’s Hugo awards, its spot taken by the likes of the inimitable Chuck Tingle, who was placed there by the antics of a group of angry men whose only wish is to Make Science Fiction Great Again. I hadn’t heard of the book, or of Jo Zebedee, its author, when she emailed me toward the end of last year asking for a review. I imagine that, in some ways, that was the dastardly puppies’ goal. To relegate strong authors to obscurity.  It’s tragic, because so many great books, like Zebedee’s, are casualties of the puppies’ campaign. As I said to her in an email, it’s a tremendous honor for this ol’ blog o’ mine to get contacted by a Hugo nominee. If my review won’t compel you to pick up Innish Carraig, I hope at

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Rarity from the Hollow – Robert Eggleton

Robert Eggleton, the author of Rarity from the Hollow, sent a remarkably in-depth letter describing his book when he reached out  for a review a while back. In that message, he described a book that dealt directly and viscerally with issues of child abuse, poverty, and sexuality—a book that explores how children’s lives are affected by the kinds of cruelty that exist within the home and without. When I finally sat down to open the book , I anticipated a hard-hitting, visceral approach to the topics of child abuse (particularly sexual abuse), and while it was referenced in the book, it was more of a set dressing. Eggleton paints a picture of a dysfunctional family in a dilapidated, forgotten hollow somewhere in West Virginia. The abusive father, a gulf war vet, ruling the moment-to-moment lives of his wife and young daughter with a switch and his radically shifting moods. The

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