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Review Archive

Forest of Memory – Mary Robinette Kowal

I’m steadily working my way up to total fanboy status regarding Mary Robinette Kowal’s work. As I’ve mentioned several times on the blog, her insight, perspective, and wit are one of the great draws of Writing Excuses, and her work that I’ve read (Shades of Milk and Honey, The Lady Astronaut of Mars, and her contribution to the Shadows Beneath anthology) I have absolutely loved. I have her most recent novel, Ghost Talkers, on my to-read list, as well as Word Puppets, a collection of her shorts, but the book that drew me first was Forest of Memory, a novella published by Tor.com. The cover art, by Victo Ngai, of a surreal forest with an etherial buck jumping away from the viewer, captured my attention wholly. Paired with the title, the image piqued my interest, and I wanted to know how the seemingly disparate images would connect to each other.

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Miniatures: The Very Short Fiction of John Scalzi

John Scalzi is a somewhat enormous figure in genre fiction, having published some 20+ novels, eight non-fiction books, and a generous handful of short fiction and essays. Not only that, but his role as “influencer” is further cemented by the popularity of his “Whatever” blog and his more-than 110,000 followers on Twitter. But we’re not here to talk about Scalzi’s reach as an author, prodigious though it may be. We’re here to talk about the audiobook of Miniatures: The Very Short Fiction of John Scalzi I listened to, courtesy of Audible. The eighteen stories in Miniatures are, as the title suggests, very short. In the introduction, Scalzi says that the longest piece in the collection is only 2,300 words long. The audiobook for the collection is teeny-tiny, clocking in at just under three hours. The stories are funny, and all hover around the central of subverting “conventional” science fiction tropes

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Missing Link – Frank Herbert

When I read Frank Herbert’s Dune as a teenager, it was a revelatory experience. Dune is widely considered to be a crowning achievement in science fiction, and I’ve heard it called “The Lord of the Rings of SF.” I’m aware that it’s polarizing as a book, and that the series as a whole isn’t as well-loved as I’d initially thought, but none of that changes my relationship with those books. I remember days in high school where I’d float from class to class, not listening to a word any of my teachers were saying, because I was so immersed in the political dealings of the Atreides and Harkonnen, in the zealous fury of the Fremen, and of the extraordinary universe they occupied. Dune hit me like blast to the chest, and changed the way I read. And even if I hadn’t read anything else by Frank Herbert until somewhat recently

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Binti: Home – Nnedi Okorafor

There seems to be no better day than today, International Women’s Day, to talk about an extraordinary piece of science fiction written by the brilliant Nnedi Okorafor, about belonging and identity from the perspective of a powerful young woman. You might recall that Binti was one of my two favorite works of science fiction of last year. It was evocative. Beautiful. Frightening. Most importantly, it was different. It managed to pack an incredible and vibrant world, a complex and compelling protagonist, and a spectacular plot into a fairly short piece of fiction. It told a story that could have easily fallen into the category of sci-fi tropes, but it avoided them by applying a unique voice and perspective through Binti, it’s main character. Binti: Home finds Binti after about a year at Oomza University. A year after she heroically (and accidentally, if I recall correctly) brokered peace between two warring

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Simone – André Brun

André Brun must be some kind of masochist. The author of Lies and Deception (to be published by Inkshares some time next year), knowing the difficulty of crowdfunding a book, has gone back for more on multiple occasions. For the currently-running horror contest, he’s entered a book of connected short stories, Arcadia, the first of which he sent me for review. Simone is very short, and in a pretty rough state, but what it lacks in polish doesn’t detract from the content of the tale. Secret cults, monsters, and true fear creep into the periphery, seeding curiosity in the reader about what’s to come in the stories that follow. Though it might frustrate some readers, there’s a moment in Simone that I found greatly appealing. The character—presumably Simone—states that, while she was traveling, she came upon a pillar in a jungle cave. There’s something delightful about not knowing the details

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Dreams of Distant Shores – Patricia McKillip

Tachyon Publications has a knack for putting out excellent collections of short stories—in fact, it seems to be their specialty. This week’s “flavor” is Patricia Mckillip’s Dreams of Distant Shores, an excellent anthology that spans modern fiction, slipstream, and urban fantasy. Dreams of Distant Shores contains five short stories and two novellas, and while you should certainly read the whole collection, I’d like to focus on the novellas in this review. The first, The Gorgon in the Cupboard, is emblematic of Mckillip’s strengths at imbuing characters with tremendous reality and honesty. The cast is made up of artists and their many models and muses, principal among them a painter pining for another painter’s wife, and a peasant who has undergone the deepest of personal tragedies—the loss of a child. Oh, and there’s a talking painting of Medusa, too. The flow of The Gorgon in the Cupboard is fantastic. It maintains

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Binti – Nnedi Okorafor

Nnedi Okorafor’s Binti just won best novella at the 2016 Hugo Awards, after having won the Nebula Award in the same category. I had no idea what the book was about, but based on the cover art alone, I knew I wanted to read it. It’s part of Tor’s new effort to publish shorter fiction through their Tor.com imprint, and they’d been advertising heavily on sites I frequent, so I’d seen the cover of Binti a few hundred times before I finally picked it up. It was a bit serendipitous, actually. I walked into a bookstore I’d never seen before near my house while my parents—who were visiting—explored shops nearby. I love going to local bookstores and scoping out their genre fiction sections. More often than not, sci-fi, fantasy, and horror are poorly represented, but Diesel books in Oakland had a lovely section in the back with a great selection.

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Falling in Love with Hominids – Nalo Hopkinson

I’ve been fortunate, over the last year or so, to have had my horizons expanded as a reader. For a while, my bread and butter were long-form fantasy epics, or space operas dealing with political games and good-versus-evil as a central theme. Don’t get me wrong; I love those books still, and they can get plenty “deep” to satisfy any curious soul. But the more I read short fiction and speculative fiction like Nalo Hopkinson’s Falling in Love with Hominids (published by Tachyon), the more convinced I feel of the power of science fiction and fantasy to tell deeply human stories with the capacity to elicit change. The term “visionary fiction,” introduced by the editors of Octavia’s Brood, has stuck with me, and it’s appropriate that I followed up that collection with the spectacular fiction of Nalo Hopkinson. It shares many of the visionary qualities of the stories in Octavia’s

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Every Heart a Doorway – Seanan McGuire

After seeing her at a reading at Borderlands in San Francisco, I became a fan of Seanan McGuire. Before that reading, I’d only seen her work in Altered Perceptions, wherein she wrote a very moving personal piece about living with OCD. I knew she was rather prolific (from her essay more than anything else), and knew that I wanted to read something by her, the gods of my ever-growing to-read list willing. The opportunity came to request her upcoming novella, Every Heart a Doorway from NetGalley, and I was delighted. Two birds with one stone, as they say. Every Heart a Doorway is a tale of belonging, of a community of misfits and ill-fits, and of self-discovery. While it is, superficially, a simple tale, it is built on a wonderful, rich concept that is so large in scope that it encompasses worlds. It’s appeal lay in its telling-which was beautifully executed-and in its

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Firstborn & Defending Elysium – Brandon Sanderson

Any opportunity we have to see the progress of those we idolize, to humanize our creative deities, is a good thing. I’ve made no secret of my passion/obsession with Brandon Sanderson’s work both on and off the page. His contribution to genre fiction will surely go down in history as the most significant of our time. He’s our Tolkien, or our Bradbury. There are other authors who have made spectacular contributions to genre fiction, and I do not mean to minimize their impact, but I think Brandon Sanderson has made the biggest waves among them. And yet, he constantly makes his fans feel special. Like each and every individual matters. Like those fans of his who are aspiring writers (like me) have every chance to become great too. A great example of this kind of encouragement comes in the form of Firstborn & Defending Elysium, two novelettes bound into a single

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